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"Just Like Dat" is a song of PSYCHIC FEVER from EXILE TRIBE. It features Japanese Hip-Hop artist JP THE WAVY and was released on January 19, 2024 as track #1 of the group's second EP 99.9 Psychic Radio.

The song served as the ending theme of the TV program Cune!! in February 2024.[1]

On May 17, 2024, the group and JP THE WAVY performed the song for the YouTube channel THE FIRST TAKE.[2] This version was later released digitally on July 18, 2024.[3]

An English version of the song was released digitally on September 28, 2024.[4]

Featured Members[]

PSYCHIC FEVER - Just Like Dat concept photo

PSYCHIC FEVER from EXILE TRIBE and JP THE WAVY promoting the song

Song Information[]

Vocals
Tsurugi (rap), Nakanishi Ryoga (rap), Watanabe Ren (rap), JIMMY (rap), Kohatsu Kokoro, Handa Ryushin (rap), WEESA, JP THE WAVY (rap)
Lyrics
JP THE WAVY, Nvmbrr
Music
JIGG, JP THE WAVY, Nvmbrr
Other Information
Arrangement: JIGG
Track Produced by: JIGG
Producer: JP THE WAVY

Music Video Information[]

Director
Spikey John
Other Information
Cinematographer: Seiya Uehara
1st Assistant Cameraman: Makoto Kuchimura
2nd Assistant Cameraman: Usman Kawazoe
Camera Assistant: Hinata Ishihara, Kengo Tsuchiya
Lighting Director: Keisuke Ikeda
Lighting Assistant: Yuki Ogawa, Hideetsu Ota, Masanao Yasuda, Munenori Kikuchi, Shun Yoshioka, Hauka Itagaki, Hiroki Oba, Keisuke kamijyo, Arata Sugata
Crane: Hirohide Ibusuki (SIS)
Data Manager: Kengo Tsuchiya (GLADSAD)
Transportation Department: Hiroyuki Nagai, yata, wildwing
Production Designer: Nana Kitaji
Set Carpenter: ZEPHYR, Masaharu Takizawa, Ryousuke Suzuki, Hikari Hayasaki, Kaito Aoyama, Ryousuke Kobayashi, Takashi Anzai, Akihiro Yamazaki, Ayaka Fuzimura
Stylist: FAL
Hair Make: Midori Fukuda (Luana), Kyoko Kato (Luana)
Post Production: Takashi Chiba (Sancha Studio)
Colorist: Ben Con-key
Production Manager: Yoshifumi Egawa, Masahiro Watanabe, Ryoichi Eguchi, Yusuke Sekiguchi, Arutoki Miyagi
Line Producer: Kaoru Nakayama
Creative Producer: LILHONEYPRINCESS / Hana Patterson
Producer: Yoshikazu Takano, Naotaka Futami
Production: GROUNDRIDDIM

Disambiguation[]

The song can be found on the following releases:

Audio[]

Spotify[]


If the player does not appear, see here.

THE FIRST TAKE ver.


If the player does not appear, see here.

English Ver.


If the player does not appear, see here.

Apple Music[]


If the player does not appear, see here. Some releases are region locked,
therefore it will only appear where the release is available.
THE FIRST TAKE ver.

If the player does not appear, see here. Some releases are region locked,
therefore it will only appear where the release is available.
English Ver.

If the player does not appear, see here. Some releases are region locked,
therefore it will only appear where the release is available.

YouTube[]

THE FIRST TAKE ver.

Videos[]

Music Video

Performance Video

Music Video (English Ver.)

THE FIRST TAKE Performance

Trivia[]

  • The choreography of the song was created by member Handa Ryushin and dancers KAITA and KAZtheFIRE of "RIEHATATOKYO", a dance team to which Handa belonged before his debut.[5][6][7][8][9]
  • The music video of the song uses simple lighting and editing to showcase the "Y2K" fashion in the costumes and the dance skills of the members.[5][6][7][8]
  • JP THE WAVY supervised the composition, choreography, and costumes, and also appeared in the music video.[5][6][7][8]
  • The group's second song to feature JP THE WAVY since the remix of their song "Hotline" (2022).[10][11]
  • The college jackets worn by the group in the music video and album cover were specifically made for the music video. Additionally, the black down jacket worn by them in the music video was made by the group's apparel brand (P.C.F APPAREL DEPARTMENT), which they also designed.[10]
  • The song garnered worldwide attention on TikTok and entered the top 20 of Billboard's "Japan Songs (country chart)" in three countries.[12][13]
  • On March 8, 2024, it was announced that the song had exceeded 100 million total views on TikTok and was currently charting in the top 50 viral charts on Spotify in eight Asian countries, including Vietnam, Thailand, South Korea, and Taiwan, and was ranked within the top 5 in Singapore, Malaysia, and the Philippines.[14][15]
    • Additionally, the number of subscribers to the official YouTube channel increased by more than 20,000 immediately after the release of the song.[16]
    • On Apple Music, the song had been Shazamed over 10,000 times in the United States. It performed well in major cities such as Los Angeles, New York, Houston, Chicago, and Dallas.[16]
  • The music video of the English version is the same as the original Japanese version, only changing the audio.

References[]

External Links[]

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